Roelant Savery
Flemish Northern Renaissance Painter, 1576-1639 . was a Flanders-born Dutch baroque painter of the Golden Age. Like so many other artists, Savery's Anabaptist family fled North from the Spanish occupied Southern Netherlands when Roelant was about 4 years old and settled in Haarlem around 1585. He was taught painting by his older brother Jacob Savery (c.1565-1603) and Hans Bol. After his schooling, Savery traveled to Prague around 1604, where he became court painter of the Emperors Rudolf II (1552-1612) and Mathias (1557-1619), who had made their court a center of mannerist art. Between 1606-1608 he traveled to Tyrol to study plants. Gillis d'Hondecoeter became his pupil.[3] Before 1616 Savery moved back to Amsterdam, and lived in the Sint Antoniesbreestraat. In 1618 he settled in Utrecht, where he joined the artist's guild a year later. His nephew Hans would become his most important assistant. In 1621 Savery bought a large house on the Boterstraat in Utrecht. The house had a large garden with flowers and plants, where a number of fellow painters, like Adam Willaerts were frequent visitors. Savery had kept his house in Amsterdam, and had one child baptized in Nieuwe Kerk (Amsterdam).[4] Savery was friends with still life painters like Balthasar van der Ast and Ambrosius Bosschaert. In the 1620s he was one of the most successful painters in Utrecht, but later his life got troubled, perhaps because of heavy drinking. Though he would have pupils until the late 1630s

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Roelant Savery Crab Fishermen oil painting


Crab Fishermen
Oil on panel, 38,6 x 33,9 cm Museum voor Schone Kunsten Ghent
Painting ID::  10158
Roelant Savery
Crab Fishermen
Oil on panel, 38,6 x 33,9 cm Museum voor Schone Kunsten Ghent
   
   
     

Roelant Savery Garden of Eden oil painting


Garden of Eden
Oil on panel 54 x 87 cm Koninklijk Museum voor Schone Kunsten, Antwerp
Painting ID::  10159
Roelant Savery
Garden of Eden
Oil on panel 54 x 87 cm Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     

Roelant Savery Horses and Oxen Attacked by Wolves oil painting


Horses and Oxen Attacked by Wolves
Oil on canvas, 111 x 160 cm Rockox House, Antwerp
Painting ID::  10160
Roelant Savery
Horses and Oxen Attacked by Wolves
Oil on canvas, 111 x 160 cm Rockox House, Antwerp
   
   
     

Roelant Savery Landscape w Birds oil painting


Landscape w Birds
1628Oil on panel, 42 x 57 cm Kunsthistorisches Museum, Vienna
Painting ID::  10161
Roelant Savery
Landscape w Birds
1628Oil on panel, 42 x 57 cm Kunsthistorisches Museum, Vienna
   
   
     

Roelant Savery Landscape with Wild Animals oil painting


Landscape with Wild Animals
Oil on canvas, 82,5 x 145 cm Rockox House Antwerp
Painting ID::  10162
Roelant Savery
Landscape with Wild Animals
Oil on canvas, 82,5 x 145 cm Rockox House Antwerp
   
   
     

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     Roelant Savery
     Flemish Northern Renaissance Painter, 1576-1639 . was a Flanders-born Dutch baroque painter of the Golden Age. Like so many other artists, Savery's Anabaptist family fled North from the Spanish occupied Southern Netherlands when Roelant was about 4 years old and settled in Haarlem around 1585. He was taught painting by his older brother Jacob Savery (c.1565-1603) and Hans Bol. After his schooling, Savery traveled to Prague around 1604, where he became court painter of the Emperors Rudolf II (1552-1612) and Mathias (1557-1619), who had made their court a center of mannerist art. Between 1606-1608 he traveled to Tyrol to study plants. Gillis d'Hondecoeter became his pupil.[3] Before 1616 Savery moved back to Amsterdam, and lived in the Sint Antoniesbreestraat. In 1618 he settled in Utrecht, where he joined the artist's guild a year later. His nephew Hans would become his most important assistant. In 1621 Savery bought a large house on the Boterstraat in Utrecht. The house had a large garden with flowers and plants, where a number of fellow painters, like Adam Willaerts were frequent visitors. Savery had kept his house in Amsterdam, and had one child baptized in Nieuwe Kerk (Amsterdam).[4] Savery was friends with still life painters like Balthasar van der Ast and Ambrosius Bosschaert. In the 1620s he was one of the most successful painters in Utrecht, but later his life got troubled, perhaps because of heavy drinking. Though he would have pupils until the late 1630s

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